Christian Hanz Lozada: 3 Poems

Monster Gets the Surgery

Monster’s skin is replaced
it’s not the confusing shade of brownish red that says he could be anything
          but white.
It’s now a porcelain pale, the kind Goths aspire to.
It feels, to him, far away, like his flesh floats near it
          ​not touching
but it is his, now, that’s all that matters.

His nose is changed, too,
no longer the bulbous and blunt;
instead it’s angular and sharp
manufactured not molded.

Monster returns home with new skin and face
and his family loves him more.
The White ones welcome him
The Brown ones ask his secret
The Mixed ones are jealous.

Monster returns to poetry readings,
the ones where he felt out of place:
too dark in a white room,
not dark enough in brown and black rooms
always performing, never feeling.
The line between acceptance here is clearer.

When Monster speaks, though, in either room
when Monster describes his experience living Mixed,
his voice seems hollow, more empty than before.
Light reflected on his skin and projected out onto the world,
shading and tinting everything he saw in shades of color.

Now the light, reflected on his white, white skin,
makes the world too stark, too sharp,
and the feeling is familiar.
It’s all edges
sharp enough to cut
and there is no hiding
in a white lit room,
you are always seen.

​Even the Fake Waterways Are Yours Because We Listen

​Monster would be the first to admit he’s jealous
watching the White boys with their White parents
fishing for crawdads in the little waterway

​the four of them standing on the other side of the chains
unabashedly doing the forbidden
never making eye contact with passersby
          ​not from guilt
          ​but from your worthlessness

It might be hot,
he might be sweating,
the water might look so cool, so so cool
but he won’t step over the chain to dip his slippered feet
the restrictions are too internalized to cross the line

the painted white lines,
in all their shapes and styles
were layered into him too well
by Brown Dad, fearing he’d go too far
by White Mom, fearing he’d fail
by the White bosses, classmates, coworkers, cops, threatening the unknown

Monster wears his jealousy with the pride of a teacher’s pet,
cloaked in right
salivating for wrong
knowing the difference between the two:

the pet and the rebel
is a couple shades,
good ears,
and a lifetime of the wrong lessons

​Envisioning a Never Me

At a Filipinx writing workshop,
the first prompt asks me to look at my identity
like a village, describe it, and           hopefully
answer:
what does it mean       to me
to be and to love being Filipinx.

But that question is impossible.
I’m not wholly Filipino

the first prompt doesn’t ask:
what does it mean       ​to me
to be and to love being White

But that question is impossible           anyway
I’m not wholly white.

Neither fish nor fowl           nor good
and I enter each village
not welcomed           ​not welcoming
and at every door, I’m asked:

“show your papers”

Christian Hanz Lozada is the son of an immigrant Filipino and a descendent of the Confederacy. His heart beats with hope and exclusion. He co-authored the poetry book Leave with More Than You Came With from Arroyo Seco Press and the history book Hawaiian in Los Angeles. His poems and stories have appeared in Hawaii Pacific Review (Pushcart Nominee), A&U Magazine, Rigorous Journal, Cultural Weekly, and Dryland, among others. Christian has featured at the Autry Museum, the Twin Towers Correctional Facility, Tebot Bach, and Beyond Baroque. He lives in San Pedro, CA and uses his MFA to teach his neighbors’ kids at Los Angeles Harbor College.

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Yuna Kang: 3 Poems