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ANC060: St. Crispin in the Trenches by Annabel Mahoney

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60 pages, handmade and numbered
ANC060 is temporarily out of print.
​2019
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“Did I wake you?” he asked / like children, / as if anybody could // I smiled at him, and said / “only when it matters.” // They shot us both at dawn.

Winding sinuously through serene countryside, the placid Somme appears untouched by time. This apparent immutability drifts just atop the river’s waters, concealing its role in some of humanity’s darkest days. Dip beneath the surface to consider an excess of lives lost to conflict in close proximity to its flow. In 1415, English archers and men-at-arms overwhelmed the French during the Battle of Agincourt. Greatly outnumbered, the catastrophic slaughter of their adversaries passed into legend as the stream continued to glide along its quiet banks. Five centuries later, these idyllic surroundings served as the backdrop for inconceivable carnage. England and France met once more, now united in combat against the kämpferinnen of imperial Germany. Days of bloodshed turned to weeks and months, leading to the massacre of more than one million men in an unyielding test of attrition. Another hundred years have passed; who can anticipate what further tragedies may yet unfold along the tranquil Somme?

Annabel Mahoney’s St. Crispin in the Trenches draws on historical, temporal, and literary parallels between Agincourt, its presence in Henry V, and the First World War. Mahoney uses poetry, manipulated text, and academic prose to contextualize themes of identity and the spectatorship of loss. Her work keeps the past alive by partnering medievalism with modernity, rendering historical complexities accessible yet heartrending. Just as Shakespeare looked to the past to examine his own era, Mahoney extends this conversation with antiquity to the present—her insights and assertions confirm the playwright’s claim “there is some soul of goodness in things evil, would men observingly distill it out.”

For every copy of St. Crispin in the Trenches sold, Another New Calligraphy will donate $1 to Storycatchers, a nonprofit empowering youth in Chicago's juvenile justice system to confront trauma and tell their personal stories through theatre.

Read "What the Mud Said," previewed in Impossible Task.
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Annabel Mahoney

Annabel Mahoney is the Editor-in-Chief of the Wellington Street Review and the Creative Director of Royal Rose Magazine. She has been widely published in a number of literary journals and anthologies; most recently Burning House Press, Ghost City Review, Déraciné Magazine, Mookychick and RECLAIM: An Anthology of Women’s Poetry. She is the author of Wyf-King (Lapwing Publications).
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  • Welcome
  • IMPOSSIBLE TASK
    • Current Issue
    • Previously Featured
  • BOOKS
    • Full Catalog
    • Health
    • Identity
    • Culture
    • Ecology
    • Reflection
    • Ephemera
  • Music
  • Fundraising
  • Submissions
  • About